Dior

Watch: Tim Schuhmacher In Dior Homme 'Saw your face before'

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Last week we saw Tim Schuhmacher louging under the LA sun for Dior Homme Spring Summer 2014 campaign [So L.A. / Dior Homme Summer 2014 With Tim Schuhmacher] today we get to enjoy the 'Saw your face before' film shot in Lake Hollywod and directed by Willy Vanderperre.

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There is nothing fictional about this video, this is exactly how we live in L.A. ... on a busy week day ;-)

So L.A. / Dior Homme Summer 2014 With Tim Schuhmacher

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Dior is going for a L.A. vibe for their summer 2014 campaign with le beau Tim Schuhmacher. The campaign was shot by Willy Vanderperre. A short film will be released on DiorHomme.com soon ...

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OhLaLa Marion Cotillard For Lady Dior Handbag

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The handbag sage continues with la belle Marion Cotillard in the fall winter 2013 2014 campaign for Lady Dior ... amazing picture by Tim Walker. I just love her and not only because she is French like me ... ok maybe a little but on top of that I love her as an actress.

The New Dior Homme, Robert, Likes To Smoke In His Bathtub ... Pourquoi Pas!?

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I am not really loving this new Dior homme (Robert Pattinson) but Dior thinks Rober is 'elegant with a certain casualness and obvious modernity'

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and that translates by smoking fully dressed in a bathtub while your girlfriend is sitting on the toilets .... super classy and 'elegant with a certain casualness and obvious modernity' voila ... but I do love the fragrance itself.

Not being super passionate by Robert, I have missed the release of 'The Film' directed by Romain Gavras earlier this month so here it is:

The Skinny Men Of Dior Winter 2013 Edition

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Dior is great if you are skinny as hell. I always feel like if you are not a Parisian teenage (or post-teenage) boy spending your parents' money then those clothes are not for you ... The campaign is great tho. Ben Allen, Jeroen Smits, Victor Nylander are looking very handsome and chic on those images tittled 'The Players' by Willy Vanderperre.

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Dior AW13 Campaign Preview

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I just LOVE love love this new Dior campaign for men. First I love this look, it was one of my favorite from the runway. Slick hair, black suit, Kris Van Assche did a good job.

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"The space is white. Immaculate. Rectilinear. It speaks of a time that we imagine to be somewhere in the near future. A world of hygenic beauty. To further heighten the effect, the setting is the Garde Républicaine horse-riding ring, a 19th-century glass and metal structure holding a fashion show for the first time ever. The contrast is striking. And it's to a third era entirely that we're transported by the music: 1982, Anne Clark and the New Wave revolution. The first models appear with a brisk step, in time to the electronic rhythms. The suits are black, very black; the white shirts are very white. A single necktie line creates a graphic structure, a very black one. The look is more athletic, narrowing at the waist, sometimes even emphasized by a metal-buckled belt on the jackets. In this chaotic futuristic world inferred by the contrasting decor, and further underlined by the music, the man that Kris Van Assche had in mind for Dior Homme this season is an idealized image. Under the runway's white lights, he moves with confidence, strict, ultra clean, flawless. Down to his shoes, which feature a translucent plastic shell covering sole and heel, as though to insulate the footstep from the ground, as if no harm could come to the wearer. The bi-material jackets seem molded on the body, neoprene and technical canvas at times appearing to give an armor-like structure to the silhouette. They zip right up to the collar. Everything is controlled. The man is like a superhero, but not one from the silver screen - fantasy has given way to reality. The designer's wished-for future is an optimistic one. Men gather together in fraternities. And, this season, Dior Homme's one wears its emblem proudly, an enigmatic sign: a triangle held inside a circle. We find it on sweaters and jackets, in black, white, gray or red. That same red, being such a Dior color, also appears for graphic effect of chalk-striped suits, single lines alternating with double ones. After a finale turn on the runway, the models stood on the walkways around the space as though ringing the setting with modernity. The future is now" Dior Magazine




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